The Culture of Collaboration

Collaborative Music and Video Production Changing Entertainment Business

Budding musicians, filmmakers and other artists are creating value through collaborative production. Online creative collaboration now goes well beyond finding and meeting like-minded artists. Now people are producing artistic works collaboratively without sharing physical space. This is having an increasing impact on creativity, the product and the business of art.

Not long ago, gatekeepers controlled the relationship between artists and audiences. NPR’s “All Things Considered” broadcast a compelling story last Saturday about Robert Goldstein, an NPR staff librarian. You can listen to the story here. In the late 1970’s, Goldstein was a guitarist for the Urban Verbs, a Washington, D.C. band. The Urban Verbs almost made it…

 Band members had a connection with the Talking Heads and producer, Brian Eno. Eno was reportedly “blown away” by the Urban Verbs and offered to produce some tracks. Record labels were initially enthusiastic, and Warner Brothers signed the band. However, Warner Brothers reportedly dumped the Urban Verbs after Rolling Stone “slaughtered” the band with a bad review.

While gatekeepers including big media, distributors, producers and others still have an impact, the balance is clearly shifting in favor of unknown artists. Aside from social media sites like Facebook and MySpace, which connect artists with fans and other artists, collaborative production sites take creative collaboration to the next level. These include TheNetStudio for music and Rootclip for film and video. The difference between these and social networking sites is analogous to the difference between using enterprise collaboration tools to design and produce products and services and using such tools for meetings. Collaborative production clearly creates greater value than just connecting.

TheNetStudio is a virtual recording studio through which artists can submit songs for collaboration. Somebody on an island in the South Pacific who has composed a great song can collaboratively create a finished product with musicians in Paris, New York or Los Angeles without ever sharing the same physical space. TheNetStudio, which uses a subscription model, currently enables asynchronous collaboration but will ultimately provide real-time music production as technology evolves to support ultra high quality synchronous sound over the Internet. Currently, sites including Ninjam, eJamming and Musigy offer real-time, online musical collaboration.

In the film and video realm, Rootclip provides an initial “root” clip, one-to-two minutes of video that begins a story. Collaborators determine the path the visual story takes by submitting one-minute videos to move the story from one chapter to the next. The Rootclip community votes on which videos should be used for the next chapter. The creator of each winning video chapter receives $500 and acknowledgment in the credits. The winner of the final chapter round gets a trip to the Traverse City Film Festival in Michigan and a meeting with filmmaker, Michael Moore. Rootclip’s business model is advertising, and ironically big media (the E.W. Scripps Company) is supporting the startup through its venture capital arm.

The big-picture impact of collaborative production is how the medium is changing the product. This phenomenon goes well beyond reproducing or approximating musical or video collaboration in which collaborators share the same physical space. As efforts like TheNetStudio and Rootclip proliferate, artistic endeavors will reflect the input of people from multiple cultures and regions. Finished works will increasingly reflect a broader and perhaps different perspective.

Oh…as for the Urban Verbs, the band recently reunited for a show at the 9:30 Club in D.C.

BMW, Daimler and Collaborating with Competitors

Collaborating with competitors involves yin and yang, two opposing and simultaneously complementary facets of a single phenomenon. This balance can create substantial value, particularly when the collaboration involves common processes that provide no competitive advantage. An example of this is the Exostar consortium, which has brought efficiencies to purchasing through a shared, online environment.

BMW is currently in talks with its competitor, Daimler, to produce and purchase vehicle components including engines. As a story by Edward Taylor in today’s Wall Street Journal points out, Germany’s archrival luxury car makers have determined that collaboration may give them bigger economies of scale to prevent further erosion of margins.

Ford Motor Company has successfully reduced costs by sharing components across its brands. The premise is that there are many commodity parts that have little to do with customer perception of brand value. In Ford’s C-Car shared technologies program, engineers and executives of Mazda (partially owned by Ford), Ford Europe and Volvo collaborated to reduce development costs for specific small car models. An added benefit is that Ford has reduced internal competition among brands and increased the sharing of best practices.

Since BMW and Daimler are smaller than Ford, the German companies have fewer opportunities to achieve economies of scale without collaborating across company lines. The Wall Street Journal quotes a source who says that executives and engineers from both companies “from the top right down to the middle management” are discussing collaboration.

My experience in working with numerous organizations on implementing collaboration is that a bottom/up strategy is just as important as top/down. For BMW or Daimler to collaborate with an arch rival involves a cultural shift, and there will undoubtedly be resistance. Therefore, leaders must engage and involve team members at all levels and corners of the organization in this shift so that both organizations will ultimately embrace the new way of working. 

Adobe Acrobat Connect Becoming Enterprise-Ready

I’ve been using Adobe Acrobat Connect for more than a year, and I’ve come to appreciate its simplicity. The web conferencing program has fit the bill as a Minneapolis-based colleague and I have collaborated on refining The Culture of Collaboration workshop.

The latest version of Acrobat Connect Pro, which Adobe is releasing today, includes a host of features that will appeal to many enterprises. Key new features involve presence and regulatory compliance. For more on presence, see my March 7, 2007 post. Corporate IT directors, particularly those in highly-regulated industries, get nervous about real-time collaboration tools. As David Slater, Adobe’s group product marketing manager, mentioned to me last week, the feedback his team got from IT people could be summed up this way: “If you don’t take compliance seriously, we can’t take you seriously.”

Well, that message resonated with Adobe. The new version of Acrobat Connect Pro enables capturing, archiving and editing collaborative sessions, online meetings, and text chat. Certain industries would prefer no retention capability, and that’s possible too. Also, the updated software provides advanced authentication to verify that users are who they say they are. Administrators can also selectively restrict functionality for particular users plus provide privacy notices and secure permission from participants before recording online meetings.

Regarding presence, Adobe has integrated Acrobat Connect with Microsoft Office Communications Server and Microsoft Live Communications Server plus IBM Lotus Sametime and Jabber. Later this year, Acrobat Connect will interact or “federate” with public IM networks. So it’s easy to check a colleague’s availability and launch an IM session right from an Acrobat Connect meeting.

What differentiates Adobe Acrobat Connect Pro from other real-time collaboration solutions is the simplicity of the user interface and the ease of integrating video into collaborative sessions using its Flash platform. Adobe is focused on making video as easy for knowledge workers to deal with as text. Incidentally, the cost of Acrobat Connect Pro is roughly $500 per seat for a perpetual license or $500 per seat per year for a hosted version with fewer features.

Web conferencing is transitioning from a one-to-many presentation or training tool to a few-to-few collaboration tool.  Recently, my colleagues and I formalized our continuing research into all facets of collaboration by establishing The Culture of Collaboration Institute. Our research indicates that users want tighter integration between real-time and asynchronous collaboration.

Now that Adobe has refined real-time collaboration, the company should now think more about what happens if somebody misses an online meeting or collaborative session. How can they quickly access the parts of the session relevant to them? How can they effectively contribute asynchronously? Focusing on questions like these helps fit collaboration into work styles.

Washington Times Understands The Culture of Collaboration

Many traditional media outlets have difficulty understanding collaboration. Newspapers, magazines and TV networks are typically steeped in star culture and embrace competition. So the notion that collaborative culture is changing business models and the nature of work leaves many reporters and editors scratching their heads.

Last Sunday, however, The Washington Times showed that it’s head and shoulders above most other traditional media outlets when it comes to understanding collaborative culture and the future of business. For a media outlet to capture the essence of collaboration, the reporter and his or her editor need to be on the same page—collaborating, if you will. Clearly, this occurred at The Washington Times. The paper selected James Srodes to review The Culture of Collaboration book. You can read the review here. Srodes, a veteran business writer, is well-suited to understand the value of collaboration. He is the former Washington bureau chief for both Forbes and Financial World magazines.

According to Srodes’ web site, he is also the biographer of Benjamin Franklin, auto industry maverick John DeLorean and Allen Dulles. Dulles served as the director of central intelligence under U.S. Presidents Eisenhower and Kennedy. Currently, the intelligence community is working on adopting a more collaborative culture.

In The Washington Times, Srodes writes:

“Where once there were chains of command, flows of information (and power), central locations and memo buck slips of Talmudic complexity and obtuseness, technology has made it possible for diverse creative and managerial teams operating in locations around the globe to work simultaneously on projects that bring better, cheaper, more effective products on line at an accelerated pace.”

At the end of the review, Srodes notes that the culture of collaboration “may be the most exciting business development since the assembly line.”